Elvis Presley

In Elvis Presley’s vast music library, the song “Long Legged Girl” holds a certain appeal for Elvis fans and music historians.0h

Introduction:

Nestled within the vast catalogue of Elvis Presley’s cinematic endeavors lies a song that, while not reaching the heights of his greatest hits, offers a glimpse into a specific period of his career. “Long Legged Girl (with the Short Dress On)” emerged in 1967 as part of the soundtrack for the MGM film “Double Trouble”, a movie marking Presley’s 22nd feature film. Composed by J.L. McFarland and W.S. Scott, the song stands as a product of Elvis’ mid-1960s Hollywood period, a time marked by a shift in his musical direction and a focus on film soundtracks.“Long Legged Girl” falls under the umbrella of rock and roll, a genre that propelled Presley to international stardom in the early 1950s. However, the song’s sound reflects the evolving musical landscape of the mid-60s, incorporating elements of garage rock and proto-hard rock. This stylistic shift is evident in the song’s distorted guitar riff, a stark contrast to the smoother, more polished sound of Presley’s earlier hits. While the song did not achieve significant commercial success, it remains an interesting historical marker, showcasing the artist’s willingness to experiment and adapt to the changing musical trends of the time.Produced by RCA Records under the helm of Elvis’ longtime collaborator Felton Jarvis“Long Legged Girl” is further notable for its backing vocals by The Jordanaires. This vocal group, who frequently accompanied Presley on recordings and live performances, adds a layer of depth and texture to the song, complementing his distinctive vocals.Despite its lack of mainstream recognition, “Long Legged Girl” holds a certain allure for die-hard Elvis fans and music historians alike. It offers a window into a specific period of his career, a time of transition and exploration for the King of Rock and Roll. As we delve deeper into this song, we will explore its musical characteristics, its place within the broader context of Presley’s
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 filmography, and the unique perspective it offers on his artistic evolution.

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